Fire safety is not a joke, son

Hi! I'm a huge fan of Chuck and How I Met Your Mother. I also love to read!

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  • icanseeyouasmyaddiction:

    rb to give the previous person a fucking break because life aint life-ing the way its supposed to life and it fucking sucks.

    (via characterlimit)

    • 1 day ago
    • 54596 notes
  • flowergrenades:

    *through gritted teeth* you are not a child taking a test with the purpose of getting the highest score, you are an adult trying new things and finding ways to enjoy your life, make mistakes, be a beginner, be mediocre, be where you need to be, be unlikeable, just. be.

    (via thepoisonroom)

    • 2 days ago
    • 143606 notes
  • smokedsalmoniloveyou:

    we need to put all train autistics in office and any government positions possible so they can eviscerate the automobile industry

    (via thepoisonroom)

    • 2 days ago
    • 18993 notes
  • infectiouspiss:

    when god closes a door you reach your little paws under it and go mrrwwaaaooow mmreeaaow

    (via thepoisonroom)

    • 2 days ago
    • 22933 notes
  • anielka-ela:

    lovingswamp:

    clawfootboy:

    clawfootboy:

    So many notes ppl confused by corn wielding Colima dog wait until you see the dancing figures…..blow your mind. Teach you true love

    image
    image
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    humankind…what more can I say. I can only aspire to have such deep and rich a human connection with anyone in this life that will be as radiant as a ceramic figural pair of dancing xolos


    image

    They’re also at the center of a roundabout

    Mexican here, fun fact! While we call them “Dancing dogs”, they’re a young pup and an old dog, and the older one is revealing wisdoms right on the pup’s ear.

    You’ll recognize the older dog bc he’s got wrinkles!! It’s a wonderful scene!!

    (via thepoisonroom)

    • 2 days ago
    • 57992 notes
    • #art
  • locus-p0cus:

    sliceosunshine:

    esoanem:

    spooky-octagon:

    fierceawakening:

    digitaldiscipline:

    griseldajane:

    Glaze is out!

    Tired of having your artwork used for AI training but find watermarks dismaying and ineffective?

    Well check this out! Software that makes your Art look messed up to training AIs and unusable in a data set but nearly unchanged to human eyes.

    I just learned about this. It’s in Beta. Please read all the information before using.


    1/ This might be the most important oil painting I’ve made:  Musa Victoriosa  The first painting released to the world that utilizes Glaze, a protective tech against unethical AI/ML models, developed by the @UChicago team led by @ravenben. App out now 👇 https://t.co/cNIXNDHMBy pic.twitter.com/Y1MqVK7yvZ  — Karla Ortiz 🐀 (@kortizart) March 15, 2023ALT

    Art thieves already hate it:

    image

    Dude, if you’re stealing, you deserve to have the data poisoned. Because you could have asked and you didn’t.

    The link is only in the original post inside an image, not as text, so here it is as plain text: https://glaze.cs.uchicago.edu/

    and the paper about how it works: https://arxiv.org/abs/2302.04222

    As links (because some of us are on mobile and can’t easily copy and paste to our browser), those are:

    https://glaze.cs.uchicago.edu

    &

    GLAZE: Protecting Artists from Style Mimicry by Text-to-Image Models
    Recent text-to-image diffusion models such as MidJourney and Stable Diffusion threaten to displace many in the professional artist community
    arXiv.org

    A bit of a TLDR for some questions I saw in the notes:

    The team that created Glaze is from the University of Chicago. Their names are each listed in full on the Glaze download website. (This group of students/professors did this for their SPRING BREAK 😱 so go give them some love lol)

    It is free to download. No, they won’t ask for or raise money from/for this project.(stated by one of the lead professors of the project).

    Glaze is designed to protect artists’ STYLE–which a bunch of ai people have been deliberately fine-tuning their models to mimic (and specifically of current living artists–small or big).

    It currently does not protect against composition/trace-like theft (as seen when run through img-to-img) but that would be protected by copyright anyway while STYLE is not.

    The University Team has stated that they are dedicated to continuing to improve the tool, like fixing bugs (like overheating older computers by taking up lots of energy when Glazing–it currently runs on CPU so they’re trying to change that to GPU, I believe) and expanding the type of protection given to artists (like working against img-to-img theft).

    It currently only works directly on your computer (phones not advised due to current overheating issue, no tablets, or iPads, and no website runthrough since that would be insecure to breaches/scraping/hacks)

    It currently works best on painterly artwork, but can still be used on other forms (team is working on improving this)

    IT WORKS BY calculating the changes each image needs for the best protection against style theft by AI, and adds tiny changes throughout the piece, so that your style will, for example, confuse the ai into seeing van gogh. But the ai thieves will see a regular image in your style, feeding it into their model labeled as your work (thus starting the “data poisoning”).

    Do not post the original unGlazed piece of your artwork after posting your Glazed version (obviously)

    The Team worked directly with over 1,000 artists that were being impacted by the ai theft. Because the team listened to those artists, Glaze accounts for regular art thieves too (i.e. Glaze can’t be removed/cropped etc. like signatures or watermarks when reposted. It’s just part of the image, so even if it ends up on another site and scraped, the Glazing is still in effect)

    When you run your artwork through Glaze, no information is sent back to the Team. (Aka, no scraping on their part. The app receives information from the Team (like updates) but no information from you is given to them through the app. Basically Team servers —> You and NOT Team servers <-–>You) One-way data street.

    Brief misunderstanding happened over an open-source license for the front-end part of the app. (Used open-source coding for front-end, not knowing that code’s use-license states it is only for other open-source uses, not closed-source (the back-end code of the app is private to prevent counter-counter measure developments)). The Team took down the app until they replaced the front-end code with code written from scratch by the team. They are now not in violation of that open-source license since they are no longer using it. (you have 30 days to remedy a license breach once informed; they did so in 2)

    The Team is currently in touch with Japanese artists to better expand the tool for use to protect their art styles

    From what I understand of it, Glaze is an AI tool designed to be anti-AI (Think Arnold Schwarzenegger in Terminator 2: one Terminator robot vs. all the other Terminators 😂)

    You can download it from their website and also contact them through email there with any questions, problems, or bugs. The website: https://glaze.cs.uchicago.edu/

    reblogging this every fucking time it comes across my dash

    (via thepoisonroom)

    • 2 days ago
    • 123595 notes
    • #ai art
  • undeanlich:

    My father’s last words were You don’t deserve to outlive me. He said them to my brother, who told me he was referring to both of us. I don’t know. I wasn’t there at the end.

    wake up new siken just dropped

    (via thepoisonroom)

    • 2 days ago
    • 2731 notes
    • #richard siken
  • vorbisx:

    Replacing physical buttons and controls with touchscreens also means removing accessibility features. Physical buttons can be textured or have Braille and can be located by touch and don’t need to be pressed with a bare finger. Touchscreens usually require precise taps and hand-eye coordination for the same task.

    Many point-of-sale machines now are essentially just a smartphone with a card reader attached and the interface. The control layout can change at a moment’s notice and there are no physical boundaries between buttons. With a keypad-style machine, the buttons are always in the same place and can be located by touch, especially since the middle button has a raised ridge on it.

    Buttons can also be located by touch without activating them, which enables a “locate then press” style of interaction which is not possible on touchscreens, where even light touches will register as presses and the buttons must be located visually rather than by touch.

    When elevator or door controls are replaced by touch screens, will existing accessibility features be preserved, or will some people no longer be able to use those controls?

    Who is allowed to control the physical world, and who is making that decision?

    (via thepoisonroom)

    • 2 days ago
    • 16218 notes
    • #accessibility
  • lilacandladybugs:

    “what if im a bad person” yeah? well what if you arent? what if you’re trying your best and you’re growing and you’re kind? what then?

    (via thepoisonroom)

    • 2 days ago
    • 10417 notes
  • pillsburysoyboy:

    pillsburysoyboy:

    “Why are you so upset about adult content bans? You don’t even post that stuff. can’t you just look at porn somewhere else?”

    Well, you see, I have this small problem where my very existence is considered adult content by a small but very powerful group of people and I actually rather enjoy being able to exist in public without restriction so uhhhh put that in your bong and smoke it kiddo.

    image

    Extremely good point

    (via characterlimit)

    • 2 days ago
    • 50879 notes
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